The photographers of Unsplash.com provided me with a great collection of photos for Jim Hamilton’s “The Towers of Whitehall,” a Sci Fi story set on the planet called The Globe. (If you have not read the story, you’ll want to read it first, as this post contains some spoilers.)
Let’s start with the logo for The Globe stories. I had to crop it quite a bit, which should probably be a crime. I committed it in international space, so I think I’m safe. But I do apologize to the artist. Then I added the text. Here is the original, unaltered photo in all its glory.
If I understand this correctly, Daniel created this beautiful image by mixing soap and oil. I’m sure it’s more complicated than that, but I’m no artist. This piece, Orbs of the Multiverse, is from his new Soap & Oil Planet series. To my eyes, it looks exactly like a planet floating in space, and I love his title for the piece. So I chose this image to represent the beautiful, blue planet of The Globe.
The photographer who simply goes by “Possessed Photography” on unsplash.com captured this beautiful image of glass towers that they titled “Blue Verticality,” which is a great title. I shared this photo with Jim before he wrote “The Towers of Whitehall.” I’m sure it helped inspire his idea that Whitehallers generate their city’s electric power from “transparent, photo-voltaic cells” in their glass towers.
Possessed Photography’s images of robots, vehicles, technology, art, architecture, and Japan can be found at unsplash.com/@possessedphotography. Possessed Photography lives in Japan and is available for hire.
View from Above
When I chose this photo, I was thinking of Leonardo, “who stood at the railing of the observation deck, high atop Central Tower. . . . As the sun rose higher, Leonardo watched as a barge arrived from upstream and pulled up to the quay. Right on time, he said to himself, and left his perch to go meet the barge. Its arrival made him feel marginally better, but he was still worried.”
This image, shot by Mirza Babic of New York City, New York in the United States, may not be shot from an angle as high as the top of Whitehall’s Central Tower, but I think it does a nice job of giving us the feeling of Leonardo’s gaze down on Lake Avon from the towers of Whitehall.
The photo itself is a bit of a mystery. Mirza did not disclose where the photo was shot or reveal any other details. And the photo is titled “Sanity.” I do find the photo quite soothing. I love the wide, curving expanse of concrete. I like the stone edifice to the left with mildly arched entrances. And I love the dark-but-shining water beyond. I can see the view soothing Leonardo’s frayed nerves.
But I am intrigued by why Mirza titled it “Sanity.” Was that a reference to the lone individual captured below, the soothing combination of stone and water, or to a view from a window that meant “home”? Perhaps we’ll never know.
In Jim’s story, he wrote that Stephano’s mother, Lucetta, drank stim and played her handheld game during the breakfast hour. I loved that detail and wanted to include some futuristic version of a drink called “stim.” When I ran across this photo by Ceyda Ciftci, I loved it immediately. I don’t know if it truly looks futuristic or otherworldly, but it certainly looks elegant and different than the tea and coffee setups I see in offices and homes.
Ceyda shot this in Istanbul, Turkey. She titled the photo “Rinascimento,” which is apparently Italian for “Renaissance.” And that is very fitting for our stories set on The Globe, a planet whose residents are clearly very influenced by Shakespeare, his work, and Elizabethan England.
You can find more photos by Ceyda at unsplash.com/@ceydaciftci.
This photo represented this scene: “Leonardo stood well back on the dock, watching as the crane unloaded the first of the two, giant, bell-shaped castings. Each of them was made from cast iron and took up nearly half of the drone barge that had ferried them down from the hills.”
It was tricky to find a combination of waterfront, futuristic buildings and something that might look like a Sci Fi crane. I settled for two out of three, as it turns out cranes look very similar the world over.
The photographer who simply goes by Elias on unsplash.com captured this scene of HafenCity in Hamburg, Germany. It’s a good photo, but I found by cropping carefully I could include the futuristic building in the center, the cranes and the water.
You can learn more about Elias’s photography at unsplash.com/@eelias.
Mika Baumeister shot this overhead view of the skate park Peitruss in Luxembourg from a nearby bridge. It’s a great geometric photo, and you can see the fascinating geometric shapes created by the park’s designers and builders.
Mika hails from Bonn, Germany and is available for hire. Mika is building a German Unsplash community and shows interest in interacting on the front page. You can see more of Mika’s work at unsplash.com/@mbaumi.
Clark Young shot this amazing graffito at a skate park. He titled the photo “Kid at the Skate Park,” which I love for its simplicity. Clark does not share any more information, so I don’t even know what country it’s shot in.
I already had one great photo to represent the slider park in Whitehall where Portia and Stephano secretly meet to plan their escape. But when I saw this beautiful, golden “Globe” graffito, I could not resist. So, to the tag artist “Globe,” I love this throwie. I salute you and I thank you.
See more of Clark’s landscape and architecture photos at unsplash/@cbyoung.
I love this beautiful night shot of a lighted dock by Casey Horner. I could look at it for hours. Technically, it fits the definition of jetty, which is where Stephano and Portia meet to stow away on the drone barge. I’m not sure if this is the type of jetty Jim imagined, but I’m a sucker for a starry sky.
Casey titled this photo “Long Walk Off a Short Pier.” It was shot in Waimea in the United States. Casey hails from Manteca, California in the United States. You can view more of Casey’s work at unsplash.com/@mischievous_penguins.